Market Square Presbyterian Church
20 S 2nd St, Harrisburg, Pennsylvania
Harrisburg Symphony's beloved conductor Stuart Malina comes to Market Street Presbyterian Church for a concert of chamber music by Olivier Messiaen and Antonín Dvořák. He brings with him Richie Hawley, clarinet, Alexander Kerr & Peter Sirotin, violins, Michael Isaac Strauss, viola and Julian Schwarz, cello.
The Forum Auditorium
500 Walnut St, Harrisburg, PA 17120, Harrisburg, PA
Our city's Harrisburg Symphony presents a concert of under-presented, yet profound, orchestral works by Jean Sibelius (Symphony No 2), Max Bruch (Scottish Fantasy), and Valerie Coleman (Umoja). Coleman's Umoja was commissioned by the Philadelphia Orchestra; Umoja is the Swahili word for Unity and the first principle of the African Dispora holiday Kwanzaa. Originally written as […]
The Forum Auditorium
500 Walnut St, Harrisburg, PA 17120, Harrisburg, PA
Our city's Harrisburg Symphony presents a concert of under-presented, yet profound, orchestral works by Jean Sibelius (Symphony No 2), Max Bruch (Scottish Fantasy), and Valerie Coleman (Umoja). Coleman's Umoja was commissioned by the Philadelphia Orchestra; Umoja is the Swahili word for Unity and the first principle of the African Dispora holiday Kwanzaa. Originally written as […]
Market Square Presbyterian Church
20 S 2nd St, Harrisburg, Pennsylvania
The Roaring Twenties, The Genius of Youth. Mark Markham, solo classical and jazz pianist, as well as being long-time recital partner of Jessye Norman, comes to Harrisburg from New York City. He presents a solo recital of music written in the early years of composers Brahms, Ravel, Bartok, and Zev Malina.
Temple Ohev Sholom
2345 N Front St, Harrisburg, PA, United States
(A Market Square Concerts event) From Philadelphia, award-winning Jasper String Quartet brings to Harrisburg a great assortment of music spanning the era of Haydn (1732-1809) and Prokofiev (1891-1953) as well as two current composers Gabriella Smith (b. 1991) and Jungyoon Wie (b. 1990). The quartet was hailed as being “flawless in ensemble and intonation, expressively […]